Programme of Studies 2010 – 2011

AUTUMN TERM 2010

Final date for receipt of applications 3 September 2010.

 

1. MICHELANGELO: A Study of the Creative Self Diane Zervas Hirst

Date Friday 24 September, Saturday 25 September

Time Friday 8pm-10pm, Saturday 10.30am-12.30pm and 2pm-4pm

Cost £60

Subjects covered: Fundamentals/Individuation

This seminar will explore the life, art, and poetry of Michelangelo – one of the giants of Italian Renaissance art – as an artistic journey of the Self and an expression of the creative and cultural unconscious.

Topic for the Sunday seminar for IGAP Candidates: What do we mean by the creative and the cultural conscious and how is our understanding of these concepts important to our work as analytical psychologists? Candidates are encouraged to bring appropriate material for discussion.

Essential Reading:

C.G. Jung: ‘On the Relation of Analytical Psychology to Poetry’, ‘Psychology of Literature’, and ‘Picasso’ in Collected Works, Vol. 15: The Spirit in Man, Art and Literature.

J.L. Henderson (1990): ‘The Cultural Unconscious’ in Shadow and Self: Selected Papers in Analytical Psychology, Wilmette Il: Charon Publications, pp 103-113.

A more detailed reading list on Michelangelo will be provided closer to the seminar and will be on the website.

 

2. THE MYSTICAL EXPERIENCE Dariane Pictet

Date Thursdays 21 October and 28 October

Time 8pm-10pm

Cost £40

Subjects Covered: Psychology and Religion

Thursday 21 October: The Sufi Poet Rumi
F
or Rumi, the heart is the centre of all transformation, the seat of spirituality and compassion. His life and poetry points to the suffering, the longing, the purification and silencing that Rumi calls the polishing of the heart: that labour which alone grounds and prepares the ego’s opening to the infinitely expanded dimensions of Self and divine love.

Reading:

Coleman Barks From the Essential Rumi, Harper Collins (1995)

Thursday 28 October: Kali: Indian Goddess of Destruction and Creation
Through poetry and imagery, we will explore how the paradoxical Indian goddess of creation and destruction holds the two poles of the Great Mother archetype.

Reading:

Familiarity with Erich Neumann: The Great Mother, Princeton University Press, Bollingen Mythos Series (1991) is recommended.

 

3. NIKI DE SAINT PHALLE: A Psychological Approach to her Artwork and the Symbolic Significance of the Tarot Garden Paul Brutsche

Date Friday 22 October, Saturday 23 October

Time Friday 8pm-10pm, Saturday 10.30am-12.30pm and 2pm-4pm

Cost £60

Subjects Covered: Fundamentals/Picture Interpretation

Interpretation and Use of Images in Jungian Psychotherapy
The seminar will consist in a detailed study and application of the different criteria of picture interpretation by making use of picture material I will present: significance of the medium, format, space, perspective, colour symbolism, number symbolism etc. I will also address the question of working with pictures in the analytical setting.

Reading:

C.G. Jung: Collected Works Vol 9.i A Study in the Process of Individuation

C.G. Jung: Collected Works Vol 10 Flying Saucers: a Modern Myth

C.G. Jung: Collected Works Vol 9.i Concerning Mandala Symbolism

T. Abt: Picture Interpretation according to C.G. Jung, Zurich, Living Heritage(2005)

R. Ammann: Healing and Transformation, La Salle, Open Court (1991)

S. Bach: Life Paints its own Span, 2 vols. Einsiedeln, Daimon (1990)

A.Cwik: Active Imagination: Synthesis in Analysis, in Jungian Analysis, 2nd edition (ed. Murray Stein). Chicago: Open Court (1995)

G. Furth: The Secret Language of Drawings, Boston, Sigo (1988)

J. Schaverein: Art, Dreams and Active Imagination, in JAP 50:2 (2005) pp. 127-153

 

4. A JUNGIAN APPROACH TO NEUROSIS Julian David

Date Friday 29 October, Saturday 30 October

Time Friday 8pm-10pm, Saturday 10.30am-12.30pm and 2pm-4pm

Cost £60

Subjects Covered: Neurosis and its History

For Jung, every neurosis is a disturbed relationship to one or other of the great archetypes of the unconscious. We will till this very fertile ground.

Reading:

A familiarity with C.G. Jung: Collected Works, Vol. 5, Symbols of Transformation, is recommended.

 

5. THE ALCHEMICAL METAPHOR IN JUNGIAN PSYCHOLOGY David Freeman

Date Thursdays 25 November and 2 December

Time 8pm-10pm

Cost £40

Subjects Covered: Alchemy/Individuation

There is no questioning the centrality of alchemy in the psychology of C.G. Jung; at least three volumes of the Collected Works are devoted to it. These two seminars will give a short study of the essentials of alchemy. The first will consider the archetype of the Self that is fundamental in the Jungian system of understanding the psyche. This will lead on to the Individuation Process as is mirrored in the experiments of the ancient alchemists. Further to this, the alchemical method will be explained together with some of the most well known alchemists who are quoted by Jung. The second seminar, which together with some examples from casework, will look at the processes at work in alchemy and how Jung welcomed them as the most profound metaphor for his Individuation Process. If there is sufficient time at the end there will be a selection of alchemical ancient and modern drawings and pictures which offer perspectives of the ancient search for the philosopher’s stone and the journey of the ego towards acknowledgement of the Self.

Participants are asked to not do any preliminary reading before these two sessions. Please bring with you only your own personal experiences and your imagination!

 

6. THE PSYCHOLOGY OF THE TRANSFERENCE - Reading Seminar from the Collected Works of C.G.Jung, Vol. 16 Mariolina Graziosi

Date Friday 26 November, Saturday 27 November

Time Friday 8pm-10pm, Saturday 10.30am-12.30pm and 2pm-4pm

Cost £60

Subjects Covered: Fundamentals

Participants are expected to have read the text and may be asked to make short presentations.

 

7. BEARSKIN: A Weekend Workshop of Embodiment, Enactment and Discussion Craig Stephenson and Jeni Treves Curran

Date Friday 3 December, Saturday 4 December

Time Friday 8pm-10pm, Saturday 10.30am-12.30pm and 2pm-4pm

Cost £60

Subjects Covered: Fairy Tale and Myth

The Grimm brothers fairy tale, Bearskin, recounts a story of betrayal and bankruptcy, of a moment when soldiering on no longer works, and of possibilities opening within long, slow and lonely processes of transformation.

This workshop is suitable for creative arts therapists, analysts, and anyone keen on exploring story through voice, movement, art, enactment, and quiet reflection. On Friday evening, we will begin to explore specific motifs and themes. On Saturday, we will enact and then discuss the tale. Please wear comfortable clothing.

The seminar will be limited to a maximum of sixteen people.

IGAP Candidates are asked to bring questions and/or relevant case material for discussion on Sunday morning.

Reading:

Grimm’s Fairy Tales: Bearskin Complete Edition, London: Routledge and Kegan Paul

C. G. Jung: Collected Works, Vol. 9.i The Phenomenology of the Spirit in Fairy Tales, in The Archetypes of the Collective Unconscious

 

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PUBLICATIONS

LINKS

CONTACT US

AUTUMN TERM 2010 l SPRING TERM 2011 l SUMMER TERM 2011 l CLOSED SEMINARS l BIOGRAPHIES

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