‘Authentic Movement as wellbeing practice’, in Dance and Movement for Wellbeing: Kaleidoscopic Views of a Diverse Field (eds. Karkou, Oliver and Lycouris), Oxford University Press, 2015.
Review of Jung and Moreno, Essays on the theatre of human nature Ed. by Craig E. Stephenson. International Journal of Jungian Studies, vol 6. No. 3, pp.261-267. 2014.
Closer to the Body: Reflections on Skript, (with Midgelow, V.). In Articulations, Choreographic Practices special issue, Vol 5.1. Bristol:Intellect. 2014.
Creative Articulations Process, (with Midgelow, V.). In Articulations, Choreographic Practices special issue, Vol 5.1. Bristol:Intellect. 2014.
‘Embodied and Direct Experience in Performance Studies’, in Contemporary Ethnography and Performance Studies (Harrop and Njaradi, eds). Cambridge: Cambridge Scholars,pp.113-130, 2013.
‘Her body finds a voice in an imaginal world’ in Body, Movement and Dance in Psychotherapy journal, Palgrave, 2012
‘Sitting Practice: Reflections on a Woman’s Creative Process’ in Gender Forum, Women and Performance, Issue 31, 2010, Anna Furse (ed). See Link, pp.1-5
‘The voice of her body: somatic practices as a basis for creative research methodology’ in Dance and Somatics journal, Intellect, vol 2:1,2010, pp.63-74, ISSN 1757-1871
‘Introduction: Choreographic Practices’ (with Vida Midgelow) in Choreographic Practices Journal, Vol 1:1, 2010, pp.3-19
‘Psyche Moving: ‘Active Imagination’ and ‘Focusing’ in movement-based performance and psychotherapy’ in Body, Movement and Dance in Psychotherapy, London: Routledge, 2 (1), 2007, pp.17-28
‘Myths of Woman: Arabic dancing in a non-Arabic world’ in Postfeminism – Debates and Definitions since 1980, an interdisciplinary handbook on the postfeminism debate, Birgit Haas (ed) Ed. Würzburg: Königshausen & Neumann, 2006, pp.63-78
‘It ain’t what you do it’s the way that you do it’‘ in The Practice of Performance Studies in the UK, Studies in Theatre and Performance, Bacon, J and F. Chamberlain (eds.), vol.25, no.3, pp.215-227, 2005, ISBN 1468-2761
‘What is the Practice of Performance Studies in the UK: An Introduction’, The Practice of Performance Studies in the UK, Studies in Theatre and Performance, Bacon, J and F. Chamberlain (eds.), vol. 25, no. 3, pp. 179-188, 2005, ISBN 1468-2761
‘Practitioner Voices: Jane Bacon’, Interviewed by Becca Gill, in Total Theatre Explores: Interviews with Women Practitioners of Physical and Visual Performance, 2005. See Link
Phasia, 3 minute dance video in collaboration with video artist Barry Halle, part of East Midlands Year of the Artist project ‘Video Miniatures’, choreographer, ACE funded, 2000. Available from Threshold Studios Northampton ISBN 5 038044300 22 5 Iris Light. Toured internationally including Glastonbury, 2010
Trains, Planes and Automobiles, a video and textile installation for Year of the Artist, 2000, performer, ACE funded
Practically Perfect, dance video with Robert Danields, Dance for Camera One Minute Wander, The Place, also BodyWorks Festival, Melbourne Australia and 'Artsonline.com', a web-site for the Arts Council of England, 2000
The Collection, a digital dance video in collaboration with Foreign Bodies Dance Theatre, director and videographer, 1999, ACE funded
